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【登録タグ S SENSEASONS いえろ~ぜぶら うっちー 恋色マスタースパーク 曲 東方弦想歌~Color of Flower~ 東方蓬千歌~Sound of Chord~ 紗菜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/pipopipo555jp/pages/1247.html
Diamondback Online, MD - Mar 31, 2008 http //media.www.diamondbackonline.com/media/storage/paper873/news/2008/04/01/Opinion/Matthew.John.Phillips.Literary.Truth-3293917.shtml Matthew John Phillips Literary Truth Matthew John Phillips Issue date 4/1/08 Section Opinion As a creative writer, I have always been somewhat averse to the idea of truth in fiction. It seems somewhat contradictory to me - incorporating too much of oneself or one s life invalidates the fictional world being created. It seems narcissistic, as if my life or your life could be important enough for the creative plane. And in the past few years, the opposite situation has become a problem - too much fiction in what is expected to be truth. The name James Frey comes to mind. What about the Holocaust memoir by Misha Defonseca that was recently revealed to have been completely fictionalized? To imagine - she did not really escape the atrocities of the Holocaust to be raised by wolves in the European wilderness. It just all seemed so plausible. And then there is the desperate attempt to hide the truth. The Japanese Nobel laureate Kenzaburo Oe recently won a lawsuit brought against him by two ex-World War II Japanese soldiers. Oe, in his book, Okinawa Notes, details the lengths to which the Japanese government and Japanese soldiers persuaded - often harassed - residents of Okinawa and other southern Japanese islands to commit suicide rather than give in to invading U.S. forces. While not directly filed by the Japanese government, the lawsuit was heavily supported by a conservative movement led by the prime minister to "soften" the accounts of Japanese-motivated atrocities. In every sense, the truth is apparently too hard to handle. Yet hiding it only reveals the extent to which we have never healed from - perhaps, learned from - our past. In my narrative nonfiction class, ENGL 398R Topics in Professional Writing Writing Non-Fictional Narratives, we talked briefly about this recent trend of fictionalizing memoirs, yet few people seemed concerned by the thought of authors capitalizing on the stories of their lives. While James Frey is, perhaps, a poor example, as his "memoir" was indeed inspired by the lives and situations of people he encountered during his brief rehab stint, there is still a bit of a stigma whenever anyone decides to write a memoir or autobiography. This inundation of falsification is more than just a symptom of the technology age and its speed-of-light fact-checking process. Despite the sophistication of the media, people still pounce on the sensational. Why else would the story of Margaret Seltzer (published as Margaret B. Jones) sell so well? Who can resist the story of a young, white girl - and Bloods gang member - who grew up on the mean streets of Los Angeles? Not I - especially when it was actually written by a 34-year-old native of Sherman Oaks, Calif. The reason these books keep selling before fact-checking can be completed is because the general public wants them so much. We (or rather, you) love a good, scandalous novel. Truth be damned - who needs it when you have love, sex and gang violence? Rather than blaming the authors, we should blame the readers. The general anti-intellectual movement at this university and the collective whole is producing a nation of stimulation-driven readers. Car chases, explosions and pop culture trivialization do not automatically transfer to literature, but readers are clamoring for these things. In a February essay for Harper s Magazine, Ursula K. Le Guin addressed the decline of reading and the death of the publishing industry. According to the article, a 2004 survey by the National Endowment for the Arts stated that 43 percent of Americans had not read a single book all year long. So much of this extends from the general apathy and quasi-ADD interests of most Americans. Yet, all of this isn t any sort of insult, just a general critique. Because, as both an English major and future publisher, I want to ensure that the art of writing never truly fades away. Because I do not believe we can afford to ignore or trivialize literature. Because the truth of literature informs the truth of ourselves, and we need that truth, whether fictionalized or not. I wouldn t lie to you about that. Matthew John Phillips is a junior English major. He can be reached at mjphilli@umd.edu. 大阪地裁判決に対する各紙論評など
https://w.atwiki.jp/fffkindle1212134/pages/36.html
Code Geass 21. The School Festival Declaration Situations evolve -- our desires have no bearing on that. Time flows on unaffected by our struggles. On this point, Lelouch should be pleased for he possesses true self-determination; he can change destiny itself by applying the absolute power to compel anyone to obey him the power of Geass. STAGE 21 THE SCHOOL FESTIVAL DECLARATION Yes, it is true that the invasion by the Chinese Federation and the terrorism of the Black Knights have disrupted our society. But that is a completely separate issue! The fact remains that you both have been absent from class far too often! I don t care how good your grades are or that you re Princess Euphemia s knight! If you don t improve, you will repeat this year! Sounds like she s still going strong. She may carry on all night. I m telling you, Zero s our savior! Even Elevens can move up in the world! Just look at Suzaku Kururugi! If it hadn t been for Zero, the Chinese Federation would have conquered Kyushu! But it isn t what is said on the news. Cause the Britannians control the media! I don t care as long as there s peace. The peace of slavery?! That s what Kururugi wants! So opinions in the ghettos are split? Some are submissive; some are defiant. But they ll all be shocked when they find out Zero s goal is to start an independent nation. Yeah right, that s totally crazy! We need to be realistic. I agree with Zero. Well, isn t it true? If we stick with him, we might catch a huge lucky break! Maybe I ll even get my dream of being a bureaucrat. A bureaucrat?! Seriously?! Hey, even I had a dream once! If I hadn t thrown in with the Black Knights, I d probably be hooked on Refrain by now. Refrain might bring back her memory... so I could find out who Zero is. But what would I do I knew? Ohgi? In that other issue, we wanted to ask for instructions, but we haven t been able to reach Zero. Then I ll just go ahead as planned. I m telling you, don t -- it s a trap. But we need inside sources. They also said there s someone there who wants to join us. Anyway, tomorrow s the only time we ll be able to use the escape route Diethard set up for us. Ladies and gentlemen, thank you for waiting! The Ashford Academy school festival, which is the most open event in the Tokyo Settlement, is about to start! It will begin at the sound of this voice! Are you sure it s all right to do this, Milly? Very sure! Okay -- MEOW! School is really noisy today... Welcome, step right up! Get your Britannian rolls! Yes, another one just like this! Two! See the shocking expose, The Zero Report! Don t miss it! Photos! Photos of Prince Clovis! That s what I thought. So even Sawasaki and the others turned out to be useful. We ve covered all the tasks at hand. Yes. We gathered all the sector data on the emergency countermeasures that they left behind. The press?! We ve identified the solar panels used in each settlement as well as the energy storage sites. Oh, and what about that collaborator issue? I ve handled most of it myself -- about 72% is complete. And Tohdoh? He s drawing up a list of occupation targets -- broadcasting stations and such. I need you to check them, including the dummy plans we re sending to Kyoto. I understand. I ll confirm tomorrow. Oh, and I know we re late in reporting this to you, but regarding the operation of the Zero Squad, Ohgi has-- There s trouble! There s huge, huge trouble! I ll have to contact you later. Hmm? Trouble? What are you doing goofing off like that?! You re the festival chairman! But everything is running fine! There s no problem. Besides, you re taking charge of that part, right? It was two meters wide up through last year, then suddenly you declared we had to have a twelve meter pizza. Uh-huh. Isn t it great? It s gonna be the largest one of its kind in the world! Just the oven and ingredients are causing an uproar, and now there s a TV crew roaming around campus? You know we can t show our faces. But we have to document making the pizza! You can run things from the control booth, okay? President s orders. Okay, stop right there! Rivalz! We re all set on this end! Wow, you re in a sunny mood. Something good happen? Yeah, you could say that! Sorry, but an Eleven from the ghetto walking around alone would be-- It s all right. If you re afraid that some Britannians, ah-- You needn t worry about me so much. I m okay, really. Anyway, is this going to help you with your work? Yes. I can gather data for our development project. I understand. That s good then. What the hell am I doing? If I get the chance, I should hand her over to the cops or a hospital. No, I can t... If they connect me to the Black Knights, it would implicate everyone. Even so, I can t just kill her... I can t. Here we are. Is something wrong? No, I used to be a school teacher, so I was feeling a little nostalgic. Why did you stop teaching? My best friend since we were little kids... well, he s since passed on. You could say that I m living out his dream in his place. It s kind of a heavy thing for me to carry around. Let s go in! No! I can t go into a Britannian school -- I m an Eleven! That doesn t matter! The campus is open today! Come on! Yeah, in you go, you two! What?! Hey, I found them first! That s a relief. I thought you were never going to come back to school. It s on purpose?! Why didn t you tell anyone... about who I really am? You re Kallen Stadtfeld right now, aren t you? Not Kallen Kouzuki, right? Hmm? Are you trying to draw me in by acting friendly? On the battlefield, I won t show any mercy, but I want to try to persuade you here. I know this is against the rules, but while we re at school, I d rather try to change your mind here than defeat you in combat later. Something s different about you. Suzaku, the truck s here. The cheese-- You came back. Uh... yeah. I m not as sick now, so... Kallen, what we were talking about has nothing to do with school, okay? Yeah, I get it. Kallen, if you don t mind, could you go and check in with your class? They seemed to be a bit shorthanded. Sure, I don t mind. I DO MIND!!! This thing actually scares them? I m gonna get Lelouch for this! He should ve told me I had to be part of the horror house. Hmph! The only person I let order me around is Zero! Oh great, here comes another couple. Why couldn t they make this whole thing mechanical if they ve got this dumb screen? It s sweltering inside of here! It s like those early Glasgows! C mon, move your ass. Hurry! MOVE YOUR AAAAAAASS!!! Ohgi?! You re back safe? Fortunately, yes. School festivals are such fun! I feel so free! The one she keeps whacking... doesn t he look like Lloyd? No great wonder. Working under that guy must really drive her out of her mind. Right, the pizza s starting later. Definitely don t have time to be doing this. Yes. Oh, the Drama Club? I ve spoken to the Film Club about it. How can I prepare my coup d etat-- I m sorry! The handle just broke in two! Soldiers? How peaceful the world is. Say, aren t you Suzaku s friend? Hey, you, boy! Where am I supposed to go to eat the biggest pizza in the world? Oh, so here you are. Good work, getting them here from Area 18 in one night. Your forces are impressive, Cornelia. You flatter me. I m honored that you deployed your regular troops to fill in for them, Schneizel. It was the least I could do. The Glaston Knights who were stand by in the homeland have joined us here. And that means... we even have Sattel Waffes for the Gloucesters. I understand. And I m going to play this card in my negotiations with the Chinese Federation. Please do. What a great honor... being asked for assistance by Princess Cornelia, who is unmatched on the battlefield. Please, don t tease me about this... But I m sincere. On the field of combat, you shine more beautifully and brightly than any flower or butterfly at a soirée -- yes, like the Flash herself. Please, stop saying that. You know I m only-- Now where could Euphy have disappeared to? I told her I was coming to see you off. I had a long talk with Euphy last night. Last night? Yes. Ah, and about the other matter -- Bartley s project. Oh yes, I really don t mind, but will he actually be of any use to us? I m asking about the biggest pizza in the world. I ll bring you some, now wait in your room! I don t believe you, because you re a liar. I m not going to deceive you over a pizza! The military and the press are here! What if they see you?! I ll wear a disguise. I don t like cold pizza. Right now I have a school festival and a coup d etat to run! Why did you come into the school? Oh, that s my fault. Who are you, anyway? You re definitely not an Eleven. What s your name? This is, ah... She s my... Kallen! Authorized personnel only. Could you get them out of here now? Ohgi?! I m really sorry, but there s something I want to talk to Suzaku about. It s all right, Your Highness. Euphy, I think this is a wonderful idea you ve come up with. Really?! Then?! You should follow the path you believe in with all your heart. I ll discuss it with Cornelia so that she understands. Suzaku, my brother approved my idea. Now we can-- I m so sorry! Are you all right? I m fine. Are you okay? Huh? Nunnally?! Huh? That voice, is it you? He s seen Ohgi now... This is bad! If they see me here with C.C. then... A propane tank for the burner? I m sure the spare ones are here, maybe in back. Kallen? Oh... hello, what s up? Are there any spare fuel tanks in the back there? Rivalz needs one for the pizza. Uh, maybe they re over on the other side. Oh, okay. Can this get any more annoying...?! You can use your Geass, can t you? It d be dangerous to use it on Ohgi and whoever that is with him, and I ve already used it on everyone else here. Well it s your own fault then. You shouldn t use it so freely. Your comments are not helping! Is that Lelouch? Are you here? There s something important I want to ask you about. Find a way to get out of here fast...! Shirley, can it wait? I m going to create a diversion -- use it to get away! What re you talking about?! You re never around in the first place! Aaagh! Huh? The panels are falling! Run away! Don t just stand there! Watch out! Uh... I... thank you. I m just glad you re okay. But where d all this smoke come from? It must be for detecting gas leaks. It looks like the valve was knocked loose. Never mind that. Can someone help me, please? I m in a little pain here. What s the matter? My ankle... it s a very familiar feeling. Sorry you got caught in that weirdness back there. No, it was actually sort of fun! I haven t felt this excited in a long time. I think it s better you move out of Area 11 now. Whoever shot you wouldn t come after you. You should be safe. You know, Ohgi... I wonder if the person I used to be was as happy as I am now. So... Can you tell me what you were going to say... when we were back there at the school? You started with "She s my..." She s my what? Well... you see... I really don t think I d mind becoming an Eleven. Will you keep our secret? I mean, about Lelouch and I being here? But if you just stay like this... All I want to is to be with my brother; that s all that matters. Do you remember that time you and I got into a great big argument? On which of us was going to marry Lelouch when we grew up? Yes, I do! We put Lelouch on the spot by making him decide right then and there! So, how about now? Huh? Do you still love him, even to this day? All right! Any moment! We are about being the historic task of the making of the world s largest pizza! Please note that this contraption at my feet is an oven specially built just for this occasion -- a fabulous waste of money! Yes, I understand, Shirley. I promise I ll make time for you. Right now just send Group B to the stage to help. Right. This feels so easy. If I make a mistake here, no one s life is on the line. Not bad! Got everything on schedule, huh? I ve learned to manage people lately. Still, they seem so optimistic, don t they? The Chinese Federation attacked just the other day, but look at everyone. That s why we need this. Hm? Festivals are necessary... for everyone, all the time. You still need to learn a bit more. Okay, lesson learned. Lelouch! Nunnally, how s the pizza-- Sorry, I need a second! Call me if something happens! Huh? It looks like the ingredients are all prepared! Now, introducing our special dough tosser the Ashford family Ganymede! Yes, it s a bit of an antique, however, at the controls is the student council s special member and Princess Euphemia s personal knight, SUZAKU KURURUGI!! Listen... is that because of... Yes. There are lots of Elevens who came here today. It s an open festival after all, and this is Suzaku s school. So they came to see him? Yes. Suzaku is like a ray of hope for many Elevens. They revere him. I see. Ganymede, a third-generation Knightmare. The type used by Lady Marianne the Flash, isn t that correct? It s just a fundamental frame. A big puppet for events like this. An unorthodox design dropped for the next generation of Knightmares due to Lady Marianne s death. I m guessing that s the real reason you want to marry me. So now you get it. He has no attraction whatsoever to the opposite sex. Well... I get the general idea, anyway. And again! Can he get it any larger, folks?! C mon, Sir Suzaku! We ve got high hopes for you! Last year, it was my turn to do it, but I can t compare to a real pro. This is a day of sweet surprises. To think you and Nunnally were so close all this time, and that you and Suzaku are friends as well. What is that guy doing? This is no time to be hitting on some pretty girl! I never want to see people unhappy ever again. Remember, we can t meet after this. That s not true. I ve found a solution for everything. Lelouch! Is that Princess Euphemia?! Princess Euphemia?! What s up? Over there. It s her! Princess Euphemia! Princess Euphemia?! Lelouch! Take Nunnally away! Sorry to leave you alone at a time like this! That s right! The sub-viceroy is near the main entrance! I copy! I ll send in the backup team! Camera! Get a link to the studio, quick! All right! Princess Euphemia s here! No way! Why?! Where-- where is she?! Everyone, stop! Don t run! Please don t panic! Pizza... Guess we should ve left this to the pros. What do you think? I m afraid I m just gonna have to give up on this one... and some other things. Everyone, stop this at once! Do you realize who this is?! This is the sub-viceroy, the third Imperial princess! Thanks for your help! We ll take over from here. Stand back of-- H.I. TV! A comment! Just one word, please! Princess Euphemia, it s me, Nina! I II get you out of here... This is getting tight! Please excuse me! No, don t! You don t say? Already? You ve escaped on your own? I d say that s excellent, Deputy Commander. We ll stay right here. Right. Looks like we wasted the equipment space inside the news van. There s no need for the captain of the Zero Squad to escape now either. I d like you to continue to stay under cover here in the settlement. I ll introduce you to Zero later on. I understand. Oh, wow... Princess Euphemia, you re not hurt, are you?! I m fine! Thank you, Suzaku! Are you okay, Nunnally? Yes. How about Euphemia? She s all right. Suzaku s taking care of her. I see... Lelouch, guess what? Euphy said that she and Suzaku are becoming very close now. They make a nice couple, don t you agree? Nunnally, you... Thank heavens, they re all right! Princess Euphemia, down here! Can I get a statement, please?! Could you please network this broadcast nationwide? Huh? You mean go live now? Euphy? I have a very important announcement! Hmm? Your Highness! It s Princess Euphemia! What s she doing now? And we go to our special live coverage. I am Euphemia, sub-viceroy of Area 11 of the Holy Britannian Empire. There is something of great consequence that I wish to tell you all today! Now what? This little girl makes such a fuss. I, Euphemia li Britannia, hereby declare the formation of the Specially Administrated Zone of Japan in the area surrounding Mt. Fuji! What?! Britannia has--?! They re recognizing... Japan?! Dammit! I never thought of this game! Even though it s only a limited area! Within the Specially Administrated Zone of Japan, Elevens will be permitted to call themselves Japanese. Restrictions against Elevens and special rights for Britannians will no longer exist within this zone. It will be a place where Elevens and Britannians live side-by-side as equals! Stop this, Euphy! I already thought through every detail of that scenario! It s nothing but an empty dream! Do you hear me, Zero? I don t care about your past nor who you are underneath that mask! I beg of you! Join us in creating the special zone of freedom! Join Zero? No way! Just think about Prince Clovis! WHAT IS SHE DOING?! Zero, help me build a new future within Britannia! A place for everyone! Long live Princess Euphemia! The Japanese Zone? Why s she doing that now? That s pretty obvious. She s in love with an Eleven. I m finished! Either way I go, the Black Knights will break apart over this! The reason we exist has vanished! How could this have happened so easily?! You think you can just take it all from me like this?! Even if it is a place where we can be ourselves?! You know nothing... You understand nothing! I am the terrorist who hides his face, and you... Lelouch! Now we can be like before! No, the past is dead and gone... Euphemia! The Specially Administrated Zone of Japan. If I cooperate, I give up the right to use force; oppose it, and the people will become my enemies, and the Black Knights collapse. Euphemia, the third princess who innocently holds good intentions like a sword! For Nunnally and me, your very existence has become a crime!
https://w.atwiki.jp/nekocompany/pages/33.html
荒木慎也「近現代日本の西洋画教育における石膏像の歴史と役割」 http //repository.dl.itc.u-tokyo.ac.jp/dspace/handle/2261/57323 荒木慎也「つくられる個性:東京芸術大学と受験産業の美術教育」 http //web.archive.org/web/20080724225445/http /zeroken.org/thesis/index.html 石膏模像の機能と石膏デッサンの様式 https //soar-ir.repo.nii.ac.jp/index.php?active_action=repository_view_main_item_detail page_id=13 block_id=45 item_id=743 item_no=1 〈絵〉〈画〉の範疇とその定義について http //www2.educ.fukushima-u.ac.jp/~koichiw/asca/tokusyu/toku_wata01_01.html 井上康「何がマンガ言語世界に於ける〈言葉〉であるか ――線の運動〈場〉の弁証法――」 http //www.kyoto-seika.ac.jp/researchlab/wp/wp-content/uploads/kiyo/pdf-data/no33/inoue_ya.pdf ※マンガ表現における線についての原理的考察。けっこうトばしてる部分もあるが、絵画表現との対比が示唆的。 リアリティとオリジナリティはこれからも有効か? 岡田萬治金箔美術/岡田武 http //manji.blog.eonet.jp/ 新人の皆さんに一番注意して欲しい画力とは「少しのデッサン力」「表情の描き分け」と「キャラクターの描き分け」です。 https //twitter.com/betsumaga/status/258179456827531266 週刊少年マガジン編集者 『グランブルーファンタジー』のデザイナーが語るデッサン力 http //cgworld.jp/interview/201511-cygames.html 美術っぽいデッサンをしたら美術っぽいデッサンがうまくなってクロッキーをしたらクロッキーがうまくなって漫画っぽい絵を練習したら漫画っぽい絵が上手くなってロボット練習したらロボットがうまくなるんじゃないですかね。美術っぽいデッサンしてマンガ絵が上手くなったらおかしいだろ https //twitter.com/akiman7/status/315001020382052354 あきまん イラストレーター 名前
https://w.atwiki.jp/touhoukashi/pages/3790.html
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!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http //www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" html lang="en" dir="ltr" head title Terraria Wiki - Terraria Wiki /title meta http-equiv="Content-Type" content="text/html; charset=utf-8" / meta name="generator" content="MediaWiki 1.16.5" / link rel="shortcut icon" href="/images/6/64/Favicon.ico" / link rel="search" type="application/opensearchdescription+xml" href="/opensearch_desc.php" title="Terraria Wiki (en)" / link rel="alternate" type="application/atom+xml" title="Terraria Wiki Atom feed" href="/index.php?title=Special RecentChanges amp;feed=atom" / link rel="stylesheet" href="/skins/vector/main-ltr.css?270" media="screen" / link rel="stylesheet" href="/skins/common/shared.css?270" media="screen" / link rel="stylesheet" href="/skins/common/commonPrint.css?270" media="print" / link rel="stylesheet" href="/index.php?title=MediaWiki Common.css amp;usemsgcache=yes amp;ctype=text%2Fcss amp;smaxage=18000 amp;action=raw amp;maxage=18000" / link rel="stylesheet" href="/index.php?title=MediaWiki Print.css amp;usemsgcache=yes amp;ctype=text%2Fcss amp;smaxage=18000 amp;action=raw amp;maxage=18000" media="print" / link rel="stylesheet" href="/index.php?title=MediaWiki Vector.css amp;usemsgcache=yes amp;ctype=text%2Fcss amp;smaxage=18000 amp;action=raw amp;maxage=18000" / link rel="stylesheet" href="/index.php?title=- amp;action=raw amp;maxage=18000 amp;gen=css" / script var skin="vector", stylepath="/skins", wgUrlProtocols="http\\ \\/\\/|https\\ \\/\\/|ftp\\ \\/\\/|irc\\ \\/\\/|gopher\\ \\/\\/|telnet\\ \\/\\/|nntp\\ \\/\\/|worldwind\\ \\/\\/|mailto\\ |news\\ |svn\\ \\/\\/", wgArticlePath="/$1", wgScriptPath="", wgScriptExtension=".php", wgScript="/index.php", wgVariantArticlePath=false, wgActionPaths={}, wgServer="http //wiki.terrariaonline.com", wgCanonicalNamespace="", wgCanonicalSpecialPageName=false, wgNamespaceNumber=0, wgPageName="Terraria_Wiki", wgTitle="Terraria Wiki", wgAction="view", wgArticleId=126, wgIsArticle=true, wgUserName=null, wgUserGroups=null, wgUserLanguage="en", wgContentLanguage="en", wgBreakFrames=false, wgCurRevisionId=8020, wgVersion="1.16.5", wgEnableAPI=true, wgEnableWriteAPI=true, wgSeparatorTransformTable=["", ""], wgDigitTransformTable=["", ""], wgMainPageTitle="Terraria Wiki", wgFormattedNamespaces={"-2" "Media", "-1" "Special", "0" "", "1" "Talk", "2" "User", "3" "User talk", "4" "Terraria Wiki", "5" "Terraria Wiki talk", "6" "File", "7" "File talk", "8" "MediaWiki", "9" "MediaWiki talk", "10" "Template", "11" "Template talk", "12" "Help", "13" "Help talk", "14" "Category", "15" "Category talk", "110" "Guide", "111" "Guide talk"}, wgNamespaceIds={"media" -2, "special" -1, "" 0, "talk" 1, "user" 2, "user_talk" 3, "terraria_wiki" 4, "terraria_wiki_talk" 5, "file" 6, "file_talk" 7, "mediawiki" 8, "mediawiki_talk" 9, "template" 10, "template_talk" 11, "help" 12, "help_talk" 13, "category" 14, "category_talk" 15, "guide" 110, "guide_talk" 111, "image" 6, "image_talk" 7}, wgSiteName="Terraria Wiki", wgCategories=["Main"], wgRestrictionEdit=["sysop"], wgRestrictionMove=["sysop"]; /script script src="/skins/common/wikibits.js?270" /script script src="/skins/common/ajax.js?270" /script !--[if lt IE 7] style type="text/css" body{behavior url("/skins/vector/csshover.htc")} /style ![endif]-- script src="/index.php?title=- amp;action=raw amp;gen=js amp;useskin=vector amp;270" /script /head body class="mediawiki ltr ns-0 ns-subject page-Terraria_Wiki skin-vector" div id="mw-page-base" class="noprint" /div div id="mw-head-base" class="noprint" /div !-- content -- div id="content" a id="top" /a div id="mw-js-message" style="display none;" /div !-- firstHeading -- div style="text-align center;padding-top 10px;" !--JavaScript Tag // Tag for network 5259 Curse.com // Website terrariaonline // Page Default // Placement Terrariaonline_Default_Above_728x90 (2035313) // created at May 19, 2011 7 31 13 PM-- script language="javascript" !-- document.write( scr + ipt language="javascript1.1" src="http //adserver.adtechus.com/addyn/3.0/5259.1/2035313/0/225/ADTECH;loc=100;target=_blank;key=key1+key2+key3+key4;grp=[group];misc= +new Date().getTime()+ " /scri + pt ); 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border 1px solid #AFCFE2; vertical-align top; -moz-border-radius 5px; -webkit-border-radius 5px; padding 7px;" div style="background #E4F0F7; padding 5px; margin 3px; font-weight bold; text-align center; color #033251; font-size 120%;" div style="float right;" a href="/File Terraria_tree.png" class="image" img alt="Terraria tree.png" src="/images/c/c2/Terraria_tree.png" width="35" height="64" / /a /div The Game /div div style="padding-left 1em;" p Terraria is a land of adventure! A land of mystery! A land that s yours to shape, to defend and to enjoy. Your options in Terraria are limitless, are you an action gamer with an itchy trigger finger? A master builder? A collector? An explorer? There s something for everyone here. /p table width="100%" tr td width="33%" dl dd ul li a href="/Guide Getting_started" title="Guide Getting started" Getting started /a /li /ul /dd /dl /td td dl dd ul li a href="/Guide Crafting_101" title="Guide Crafting 101" Crafting 101 /a /li /ul /dd /dl /td td width="33%" dl dd ul li a href="/Guide PvP" title="Guide PvP" PvP /a /li /ul /dd /dl /td /tr /table /div /td td style="width 33%; background #FCFCFC; border 1px solid #AFCFE2; vertical-align top; -moz-border-radius 5px; -webkit-border-radius 5px; padding 7px;" div style="background #E4F0F7; padding 5px; margin 3px; font-weight bold; text-align center; color #033251; font-size 120%;" div style="float right;" /div News /div div style="padding-left 1em;" ul li a href="http //www.cybergamer.com.au/forums/thread/238089/Terraria -2D-Minecraft,-or-so-much-more/" class="external text" rel="nofollow" Cybergamer review /a /li li a href="http //www.curse.com/articles/other-en-news/959213.aspx" class="external text" rel="nofollow" Terraria Moves Back To #1 On Steam, New Wiki Released /a /li li a href="http //www.terrariaonline.com/threads/redigit-blue-are-visiting-valve-today.4857/" class="external text" rel="nofollow" Redigit amp; Blue are Visiting Valve Today! /a /li /ul div style="clear both; margin-top .5em; margin-right 10px; text-align right; font-style italic; font-size 85%;" See More a href="/Terraria_News" title="Terraria News" News... /a /div /div /td /tr tr td style="width 33%; background #FCFCFC; border 1px solid #AFCFE2; vertical-align top; -moz-border-radius 5px; -webkit-border-radius 5px; padding 7px;" div style="background #E4F0F7; padding 5px; margin 3px; font-weight bold; text-align center; color #033251; font-size 120%;" div style="float right;" a href="/File Sword.png" class="image" img alt="Sword.png" src="/images/thumb/8/89/Sword.png/40px-Sword.png" width="40" height="40" / /a /div Items /div div style="padding-left 1em;" dl dd ul li a href="/Tools" 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img alt="Monster.png" src="/images/thumb/1/13/Monster.png/35px-Monster.png" width="35" height="68" / /a /div Monsters /div div style="padding-left 1em;" table width="100%" tr td dl dd ul li a href="/Angry_Bones" title="Angry Bones" Angry Bones /a /li li a href="/Bone_Serpent" title="Bone Serpent" Bone Serpent /a /li li a href="/Burning_Skull" title="Burning Skull" Burning Skull /a /li li a href="/Dark_Caster" title="Dark Caster" Dark Caster /a /li li a href="/Demon_Eye" title="Demon Eye" Demon Eye /a /li li a href="/Devourer" title="Devourer" Devourer /a /li li a href="/Eater_of_Souls" title="Eater of Souls" Eater of Souls /a /li /ul /dd /dl /td td width="33%" dl dd ul li a href="/Fire_Imp" title="Fire Imp" Fire Imp /a /li li a href="/Giant_Worm" title="Giant Worm" Giant Worm /a /li li a href="/Goblin_Peon" title="Goblin Peon" Goblin Peon /a /li li a href="/Goblin_Sorcerer" title="Goblin Sorcerer" Goblin Sorcerer /a /li li a href="/Goblin_Thief" title="Goblin Thief" Goblin Thief /a /li li a href="/Goblin_Warrior" title="Goblin Warrior" Goblin Warrior /a /li /ul /dd /dl /td td width="33%" dl dd ul li a href="/Hornet" title="Hornet" Hornet /a /li li a href="/Man_Eater" title="Man Eater" Man Eater /a /li li a href="/Meteor_Head" title="Meteor Head" Meteor Head /a /li li a href="/Servant_of_Cthulhu" title="Servant of Cthulhu" Servant of Cthulhu /a /li li a href="/Skeleton" title="Skeleton" Skeleton /a /li li a href="/Slime" title="Slime" Slime /a /li li a href="/Zombie" title="Zombie" Zombie /a /li /ul /dd /dl /td /tr /table dl dt Bosses /dt /dl table width="100%" tr td dl dd ul li a href="/Eye_of_Cthulhu" title="Eye of Cthulhu" Eye of Cthulhu /a /li /ul /dd /dl /td td width="33%" valign="top" dl dd ul li a href="/Eater_of_Worlds" title="Eater of Worlds" Eater of Worlds /a /li /ul /dd /dl /td td width="33%" valign="top" dl dd ul li a href="/Skeletron" title="Skeletron" Skeletron /a /li /ul /dd /dl /td /tr /table /div /td /tr tr td style="width 33%; background #FCFCFC; 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https://w.atwiki.jp/code_matome/pages/18.html
Fedora 18で確認。 下記の2パッケージをダウンロードする。 ・trace-cmd-1.2-4.20120606git8266dff.fc18.i686.rpm ・kernelshark-1.2-4.20120606git8266dff.fc18.i686.rpm 下記からパッケージダウンロードしてやりました。 yum、apt-get、git等を使う方がよいです。 (例:yum install trace-cmd) http //pkgs.org/fedora-18/fedora-updates-testing-i386/kernelshark-1.2-4.20120606git8266dff.fc18.i686.rpm.html http //pkgs.org/fedora-18/fedora-updates-testing-i386/trace-cmd-1.2-4.20120606git8266dff.fc18.i686.rpm.html git //git.kernel.org/pub/scm/linux/kernel/git/rostedt/trace-cmd.git ・使い方 よく使うlist、record、report、kernelsharkについてまとめる。 【利用可能なイベント、プラグイン、オプションの表示:list】 # trace-cmd list plugins blk function_graph wakeup_rt wakeup function sched_switch nop 【イベントの記録:record】 -oで出力ファイル指定、-eでトレース対象イベント指定、-pでPlugin指定。function_graphは # trace-cmd record -e block block_sleeprq -o output.dat # trace-cmd record -p function_graph ls # trace-cmd record -e block block_sleeprq -p function_graph ls 【traceファイルの読み出し:report】 -iで入力ファイル指定。 フィルタもできる。# trace-cmd report -i trace.dat -i:入力ファイル指定。(デフォルトはtrace.dat) 【kernelsharkでグラフィカルに表示:kernelshark】 # kernelshark trace.dat ------------------- usage trace-cmd [COMMAND] ... commands record - record a trace into a trace.dat file start - start tracing without recording into a file extract - extract a trace from the kernel stop - stop the kernel from recording trace data reset - disable all kernel tracing and clear the trace buffers report - read out the trace stored in a trace.dat file split - parse a trace.dat file into smaller file(s) options - list the plugin options available for trace-cmd report listen - listen on a network socket for trace clients list - list the available events, plugins or options restore - restore a crashed record stack - output, enable or disable kernel stack tracing check-events - parse trace event formats ------------------- usage trace-cmd record [-v][-e event [-f filter]][-p plugin][-F][-d][-o file] \ [-s usecs][-O option ][-l func][-g func][-n func] \ [-P pid][-N host port][-t][-r prio][-b size][command ...] -e run command with event enabled -f filter for previous -e event -p run command with plugin enabled -F filter only on the given process -P trace the given pid like -F for the command -c also trace the childen of -F or -P -T do a stacktrace on all events -l filter function name -g set graph function -n do not trace function -v will negate all -e after it (disable those events) -d disable function tracer when running -o data output file [default trace.dat] -O option to enable (or disable) -r real time priority to run the capture threads -s sleep interval between recording (in usecs) [default 1000] -N host port to connect to (see listen) -t used with -N, forces use of tcp in live trace -b change kernel buffersize (in kilobytes per CPU) -k do not reset the buffers after tracing. -i do not fail if an event is not found --func-stack perform a stack trace for function tracer (use with caution) ------------------- usage trace-cmd report [-i file] [--cpu cpu] [-e][-f][-l][-P][-L][-N][-r][-E]\ [-F filter][-v][-V][-T][-O option] -i input file [default trace.dat] -e show file endianess -f show function list -P show printk list -E show event files stored -F filter to filter output on -r raw format ignore print format and only show field data -v will negate all -F after it (Not show matches) -T print out the filter strings created and exit -V verbose (shows plugins being loaded) -L load only local (~/.trace-cmd/plugins) plugins -N do not load any plugins -w show wakeup latencies -l show latency format (default with latency tracers) -O plugin option -O [plugin ]var[=val] --check-events return whether all event formats can be parsed -------------------
https://w.atwiki.jp/touhoukashi/pages/5685.html
【登録タグ あ~るの~と ゆ 曲 東方Platonic Girl 永遠の春夢 藤宮ゆき】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3043.html
【登録タグ A-One G MONTAGE Green あき 厄神様の通り道 ~ Dark Road 曲 越田Rute隆人 運命のダークサイド】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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